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Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Carmen is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris, on 3 March 1875, and was not at first particularly successful; its initial run extended to 36 performances. Before this run was concluded, Bizet died suddenly, and thus knew nothing of the opera's later celebrity. Written in the genre of opéra comique, it tells the story of the downfall of Don José, a naive soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous toreador Escamillo after which José kills her in a jealous rage. The depictions of proletarian life, immorality and lawlessness, and the tragic outcome in which the main character dies on stage, broke new ground in French opera and were highly controversial. After the premiere most reviews were critical, and the French public was generally indifferent. Carmen initially gained its reputation through a series of productions outside France, and was not revived in Paris until 1883; thereafter it rapidly acquired celebrity at home and abroad, and continues to be one of the most frequently performed operas; the "toreador's song" from Act 2 is among the best known of all operatic arias. Later commentators have asserted that Carmen forms the bridge between the tradition of opéra comique and the realism or verismo that characterised late 19th-century Italian opera.

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Joséphine Fodor

Credit: Jean-Baptiste Singry, restored by Adam Cuerden

The French soprano Joséphine Fodor who made her debut in 1810 in Fioravanti's, Le cantatrici villane at the Impérial Opera of Saint Petersburg singing in both Russian and French. Rossini wrote a special aria for her when she sang Rosina in The Barber of Seville at the Théâtre-Italien in Paris in 1820.

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In this month

1 July 1995 – Powder Her Face, an opera by Thomas Adès and based on the scandalous life of Margaret, Duchess of Argyll, had its world premiere at the Cheltenham Music Festival.
5 July 1953 - Titta Ruffo, considered one of the greatest Italian baritones of his generation, died in Florence at the age of 76.
6 July 1845 – Soprano Ángela Peralta, a leading figure in the operatic life of 19th century Mexico, was born in Mexico City.
11 July 1937 - George Gershwin, the composer of Porgy and Bess, died in Los Angeles at the age of 38.
13 July 1924 – The Italian tenor Carlo Bergonzi, admired for his warm timbre and elegant phrasing, was born in Vidalenzo, near Parma.
17 July 1852 – Salvadore Cammarano, who wrote the libretto for Donizetti's Lucia di Lammermoor, died in his native Naples at the age of 51.
22 July 1847 – Verdi's opera I masnadieri had its world premiere at Her Majesty's Theatre in London. The performance was conducted by Verdi himself, with Jenny Lind (pictured) singing the role of Amalia.
30 July 1793 – The Teatro Nacional de São Carlos in Lisbon, Portugal's leading opera house, was opened by Queen Maria I.

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Dmitri Shostakovich (25 September 1906 – 9 August 1975) was a Russian composer of the Soviet period. He is best known for his satirical opera The Nose, (based on the story by Gogol) and his cycles of symphonies and string quartets, 15 of each. Since his death in 1975, reports about his true personal opinions about life in the USSR have been controversial. While he outwardly conformed with the state and was a public face for state-crafted propaganda, it is now widely known that he deeply disliked the Soviet regime —a view confirmed by his family, by private letters to Isaak Glikman, and the satirical cantata Anti-Formalist Rayok, which ridiculed the "anti-formalism" campaign in Soviet arts and was known only to his closest friends until after his death.

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Of the great modern Italian composers, I feel that Puccini is the most important, because he has a more intimate appreciation of theatrical values. He seems to know just what kind of music will fit a series of words or a scene, which will best bring out the dramatic sense.

— Antonio Scotti

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"È scherzo od è follia"

From Giuseppe Verdi's Un ballo in maschera, sung by Enrico Caruso, Frieda Hempel, Maria Duchêne, Andrés de Segurola and Léon Rothier (1914)

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Did you know?

...that Europa riconosciuta by Antonio Salieri (pictured) was first performed at the opening of La Scala in 1778 and was not performed again for more than two hundred years?
...Bantcho Bantchevsky, former singer and voice coach, committed suicide during a nationally-broadcast performance from the Metropolitan Opera?
...that Antonio Bagioli, musical director for one of the first Italian opera companies to tour the United States, stayed behind for love, rather than continuing on to Cuba?

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Opera history: Origins of opera • Italian opera • Opera in German • French opera • Opera in English • Polish opera • Russian opera • Hungarian opera • Armenian opera • Opera in Latin America

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

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Opera lists: Opera topics • List of operas by composer • Important operas • Major opera composers • Opera librettists • Opera houses • Opera companies • Opera festivals • Opera directors • Operetta composers • Orphean operas • Zarzuela composers • Opera genres • Operas set in the Crusades • The Record of Singing • Bayreuth canon

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1899 poster of Mme. M. Sissieretta Jones
Adolphe-Joseph-Louis Alizard from Le Charivari
Advertisement for the music score of La Bohème, 1895
Aida poster colors fixed
Al quartiere latino, bozzetto di Adolf Hohenstein per La Bohème (1896) - Archivio Storico Ricordi ICON000086 - Restoration
Albert Pierre-René Maignan - Jules Massenet - Ariane
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Alexandre Charles Lecocq - Giuseppe Verdi - La forza del destino
Alexandre Fragonard - Scène de L'orage (Barbier de Séville)
Alexandre Lacauchie - Gilbert Duprez as Gaston in Verdi's Jérusalem
Alfredo Edel - Jules Massenet - Le mage
Alice Neilsen's production of Victor Herbert's The Fortune Teller
Amilcare Ponchielli (before 1886) - Archivio Storico Ricordi FOTO000794 - Restoration
Amédée Forestier - Illustrated London News - Gilbert and Sullivan - Ruddygore (Ruddigore)
Anna Fernqvist, rollporträtt - SMV - H1 122 - Restoration
Atelier Nadar - Fly scene from Offenbach's Orphée aux enfers with Jeanne Granier as Eurydice and Eugène Vauthier as Jupiter, 1887 revival, wide-angle shot
Atelier Nadar - Galli-Marié in Bizet's Carmen
Atelier Nadar - Jacques Isnardon, Vaudeville
Auguste François-Marie Gorguet - poster for the première performance of Édouard Lalo's Le roi d'Ys (1888)
Barbier, Jules, Nadar, Gallica
Blanche Roosevelt by Napoleon Sarony
Boris Kustodiev - Portrait of Fyodor Chaliapin - Google Art Project
Carl Nielsen c. 1908 - Restoration
Carloz Schwabe - Vincent d'Indy's Fervaal
Cavalleria Rusticana - Alfio and Turiddu embrace
Cavalleria Rusticana - Santuzza and Turiddu outside the church
Charles Gounod (1890) by Nadar
Charles Motte - Rossini et Georges IV - la soirée de Brighton
Charles-Antoine Cambon - La Esmeralda, Act 3, Scene 2 set
Charles-Antoine Cambon - La Esmeralda, Act III, Scene 1 set design (Version 2)
Charles-Antoine Cambon - Set design for Act V, Scene 2 of Fromental Halévy's La reine de Chypre
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Christine Nilsson Nadar
Colette and Maurice Ravel's L'enfant et les sortilèges, 1st scene
Colette and Maurice Ravel's L'enfant et les sortilèges, 2nd scene
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Composer Rossini G 1865 by Carjat - Restoration
Cover to Doris Waltz by P. Bucalossi after Alfred Cellier - Art by Nicholas Hanhart
Célestin Nanteuil - Jules Massenet - Don César de Bazan
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Dudley Hardy - Poster for His Majesty
Edmond Cavé 1844 Ingres - NY Met Museum of Art
Elliott & Fry - photograph W. S. Gilbert
Ethel Smyth
Eugène Du Faget - Costume designs for Guillaume Tell - 1-3. Laure Cinti-Damoreau as Mathilde, Adolphe Nourrit as Arnold Melchtal, and Nicolas Levasseur as Walter Furst
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Eugène Grasset - Jules Massenet - Werther
Falka - Weir Collection
Falstaff 3
Fausta Labia, porträtt - SMV - H5 028 - Restoration
François-Joseph Bélanger - Set design for Gluck's Alceste
Fromental Halévy, L'Éclair score cover - Restoration
Georges Rochegrosse - Henry Février - Henri Cain and Louis Payen after Victorien Sardou - Gismonda
Georges Rochegrosse - Jules Massenet - Roma
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Georges Rochegrosse - Poster for the prèmiere of Claude Debussy and Maurice Maeterlinck's Pelléas et Mélisande
Georges Rochegrosse's poster for Jules Massenet's Don Quichotte
Geraldine Ulmar in Gilbert and Sullivan's The Mikado - photograph only
Giacomo Puccini (1924) - Archivio Storico Ricordi FOTO003293 - Restoration
Gilbert Duprez & Rosine Stoltz in Donizetti's La Favorite
Giuseppe Barberis - Carlo Cornaglia - Giuseppe Verdi's Don Carlo at La Scala
Giuseppe Verdi, Giovanna d'Arco, Vocal Score - Restoration
Giuseppe Verdi, La traviata title page - Restoration
Giuseppe Verdi, Lombardi alla prima crociata. Libretto, 1843 - Restoration
Giuseppe Verdi, Rigoletto, Vocal score illustration by Roberto Focosi - Restoration
Giuseppe Verdi, Simon Boccanegra first edition libretto for the 1881 revision of the opera - Restoration
Giuseppe Verdi, Un Ballo in maschera, Vocal score frontispiece - restoration
H. M. Brock - Gilbert and Sullivan - D'Oyly Carte Opera Company Ruddigore revival 1921
H. M. Brock - Poster for Iolanthe
H.J. Whitlock - Photograph of Arthur Sullivan
H.M.Brock - Poster for Gilbert and Sullivan's The Sorcerer (1919)
Haydée, ou Le secret Act II - Philippe Chaperon
Hector Berlioz, Béatrice et Bénédict score title page - Restoration
Hector Berlioz, La Prise de Troie score cover - Restoration
Hector Berlioz, Les Troyens vocal score cover - Restoration
Hector Berlioz, Les Troyens à Carthage vocal score cover - Restoration
Henri C. R. Presseq - Camille Erlanger - Le juif polonais
Henry Atwell Thomas - Franz von Suppé - Fatinitza
Il signor Tambourossini - Delaroche
Il trovatore by Luigi Morgari
Illustrated London News - Giuseppe Verdi's Attila at Her Majesty's Theatre, London
Iolanthe piano transcriptions by Ernst Perabo
Ivor Novello
Jacques Offenbach - A. Jannin - Robinson Crusoé
Jacques Offenbach by Nadar
Jean de Paleologu - Jules Massenet - Sapho
Jeremiah Gurney - Photograph of Euphrosyne Parepa-Rosa
Johann Strauss II by Fritz Luckhardt
John Phillip Sousa - De Wolf Hopper - El Capitan1
Joseph Albert - Ludwig und Malwine Schnorr von Carolsfeld - Tristan und Isolde, 1865f
Jules Massenet - Le Cid 2e Acte, 3e Tableau - L'Illustration
Jules Massenet - Le Cid 3e Acte, 6e Tableau - L'Illustration
Jules Massenet by Eugène Pirou
La Juive Act 1 set 1835 - Restoration
Le comte Ory - Dubois & chez Martinet - Final scene
Lilly Walleni in Daria at Kungliga Operan 1907 - SMV - NV059
Louis Guéymard as Robert le Diable by Gustave Courbet - The Metropolitan Museum of Art 436015 (cropped)
Lucy Arbell as Queen Amahelli in Massenet's Bacchus, wide view
Lucy Arbell in Massenet's Thérèse
Lucy Arbell photographed by Paul Nadar
Luigi Verardi after Dominico Ferri - Gaetano Donizetti - Carrefour de St Jean et Paul. Dans l'Opéra Marino Faliero
Luigi Verardi after Dominico Ferri - Vincenzo Bellini - Théatre Royal Italien. Salle d'armes dans l'Opéra I Puritani
M. Browne - Herbert Railton - Sydney Grundy - Arthur Sullivan - Haddon Hall
Mademoiselle Maupin de l'Opéra (Julie d'Aubigny)
Mademoiselle Priola de l'Opéra Comique, rôle de Javotte dans "Le Roi l'a dit" de Delibes
Magna Lykseth in Tristan och Isolde at Kungliga Operan 1909 - SMV - GL164
Marcel Jambon - Giuseppe Verdi - Otello Act I set design model
Maria Carrara Verdi, Barberina Strepponi, Giuseppe Verdi, Giuditta Ricordi, Teresa Stolz, Umberto Campanari, Giulio Ricordi, Leopoldo Metlicovitz (1900) - Archivio storico Ricordi FOTO003107 - Restoration
Marian Anderson
Maritana - Nov 22 1845 Illustrated London News
Max Brückner - Otto Henning - Richard Wagner - Final scene of Götterdämmerung
Meyerbeer - Les Huguenots - Décor Acte II
Michael William Balfe - Atelier Nadar
Napoli, strada Acquaquilia, bozzetto di Riccardo Salvadori per A Basso Porto (1894) - Archivio Storico Ricordi ICON002556
Nelly Martyl by Jean Reutlinger (Image 10715)
Opernhaus Zürich - Sechseläutenplatz 2013-08-31 18-30-40
Paul Maurou - Poster for Edmond Audran's Gillette de Narbonne
Percy Anderson - Poster for The Duchess of Dantzic
Philippe Chaperon - Meyerbeer - Les Huguenots Act I (1896)
Philippe Chaperon - Rigoletto
Philippe Chaperon - Set design for Act V in the première of Victorin Joncières' Dimitri
Philippe Chaperon by Atelier Nadar
Pierre Gaveaux by Edmé Quenedey (1821)
Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Giulietta act
Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, Olympia act
Pierre-Auguste Lamy (?) - Les contes d'Hoffmann by Jacques Offenbach, prologue
Pierre-Luc-Charles Cicéri - Act III set design for the première production of Daniel Auber's Gustave III
Pierre-Luc-Charles Cicéri - Eugène Cicéri - Philippe Benoist - Adolphe Jean Baptiste Bayot - Décorations de théâtre, Robert le diable, 3e act
PikiWiki Israel 13773 AIDA AT MASADA 2011
Portrait of Madame Dugazon (Louise Rosalie Lefèvre), in the title rôle of Nina (Scene V)
Poster for Burnand and Sullivan's Cox and Box - Royal Gallery of Illustration
Poster for Gilbert and Clay's Ages Ago at the Royal Gallery of Illustration
Poster for Jules Massenet's La Navarraise with Emma Calvé in the rôle of Anita
Poster for Le pardon de Ploërmel 1859
Poster for The Lucky Star (1899) by Dudley Hardy
Prokofieff (i.e. Prokofiev) LCCN2014708419 Crop 2
Prudent-Louis Leray - Poster for the première of Georges Bizet's Carmen
Robert Jacob Hamerton - Poster for A Sensation Novel
Robert Jacob Hamerton - Poster for F. C. Burnand and Arthur Sullivan's The Contrabandista
Rosa Raisa (1917) - Archivio Storico Ricordi FOTO002701 - Restoration
Set design by Philippe Chaperon for Act1 sc2 of Aida by Verdi 1871 Cairo - Gallica - Restored
Set design by Philippe Chaperon for Act4 sc2 of Aida by Verdi 1880 Paris
Souvenir advertisement for Princess Ida by Alice Havers - Page 1
Souvenir program for the première production of Gilbert and Sullivan's Patience - Cover
Strauss, Richard - Ariadne auf Naxos - Restoration
Tavola 5, bozzetto di Gebrüder Brückner per Tannhäuser (s.d.) - Archivio Storico Ricordi ICON011721 - Restoration, crop
Teatro Municipal de São Paulo 8
Teresa Brambilla by Antoine Maurin (1845)
The Mikado Chappell Vocal Score cover (c.1895)
Thespis - Illustrated London News Jan 6 1872
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Utopia Limited Poster
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Verdi conducting Aida in Paris 1880 - Gallica - Restoration
Wally (soprano), figurino di Adolf Hohenstein per La Wally (1892) - Archivio Storico Ricordi ICON004639 - Restoration
Wilhelm - Costume design for Arac, Gunon, and Scynthius (Princess Ida, 1884)
Édouard de Reszke by Nadar (BPL Hale Coll)
Émile Bertrand - Jules Massenet - Cendrillon poster