
The Ashtamangala (Sanskrit: अष्टमङ्गल, romanized: Aṣṭamaṅgala) is the sacred set of Eight Auspicious Signs (Chinese: 八吉祥, bājíxiáng) featured in a number of Indian religions such as Hinduism, Jainism, and Buddhism. The symbols or "symbolic attributes" (Tibetan: ཕྱག་མཚན་, THL: chaktsen) are yidam and teaching tools. Not only do these attributes (or energetic signatures) point to qualities of enlightened mindstream, but they are the investiture that ornaments these enlightened "qualities" (Sanskrit: guṇa; Tibetan: ཡོན་ཏན་, THL: yönten). Many cultural enumerations and variations of the Ashtamangala are extant.

Buddhism
Hinduism
In Indian and Hindu tradition,[11] the Ashtamangala may be used during certain occasions including: pujas, weddings (of Hindus), and coronations. The ashtamangala finds wide mention in the texts associated with Hinduism, Buddhism, and Jainism. They have been depicted in decorative motifs and cultural artifacts.
- The Hindu tradition[clarification needed] lists them as:
- The Hindu tradition[clarification needed] lists them as:
- The list also differs depending on the place, region, and the social groups.[further explanation needed]
Jainism


(from left) : Swastika, Vardhmanaka (food vessel), Pair of fish, Kalasha (pot), Bhadrasana (seat), Srivatsa, Nandavarta, Darpan (mirror)
In Jainism, the Ashtamangala are a set of eight auspicious symbols.[13] There is some variation among different traditions concerning the eight symbols.[14]
In the Digambara tradition, the eight symbols are:
In the Śvētāmbara tradition, the eight symbols are:
- Swastika
- Srivatsa
- Nandavarta
- Vardhmanaka (food vessel)
- Bhadrasana (seat)
- Kalasha (pot)
- Darpana (mirror)
- Pair of fish
See also
- Dzi bead
- Eight Treasures (Chinese equivalent)
- Iconography
- Mani stone
- Sandpainting
References
Citations
- 1 2 3 Source: (accessed: January 18, 2008) Archived 13 January 2008 at the Wayback Machine
- ↑ Source: Dpal be'u
- 1 2 Sarat Chandra Das (1902). Tibetan-English Dictionary with Sanskrit Synonyms. Calcutta, India: mainly used in buddhismBengal Secretariat Book Depot, p.69
- ↑ Hyytiäinen, Tiina (2008). "The Eight Auspicious Symbols". In Saloniemi, Marjo-Riitta (ed.). Tibet: A Culture in Transition. Vapriikki. p. 198. ISBN 978-951-609-377-5.
- ↑ Source: gser nya
- ↑ Hyytiäinen, Tiina (2008). "The Eight Auspicious Symbols". In Saloniemi, Marjo-Riitta (ed.). Tibet: A Culture in Transition. Vapriikki. p. 197. ISBN 978-951-609-377-5.
- ↑ Powers, John (2007). Introduction to Tibetan Buddhism: revised edition. Snow Lion Publications. p. 23. ISBN 978-1-55939-282-2.
- ↑ Hyytiäinen, Tiina (2008). "The Eight Auspicious Symbols". In Saloniemi, Marjo-Riitta (ed.). Tibet: A Culture in Transition. Vapriikki. p. 196. ISBN 978-951-609-377-5.
- ↑ Hyytiäinen, Tiina (2008). "The Eight Auspicious Symbols". In Saloniemi, Marjo-Riitta (ed.). Tibet: A Culture in Transition. Vapriikki. pp. 198–199. ISBN 978-951-609-377-5.
- ↑ Zhou Lili. "A Summary of Porcelains' Religious and Auspicious Designs." The Bulletin of the Shanghai Museum 7 (1996), p.133
- ↑ Dictionary of Hindu Lore and Legend (ISBN 0-500-51088-1) by Anna Dallapiccola
- ↑ Gopal, Madan (1990). K.S. Gautam (ed.). India through the ages. Publication Division, Ministry of Information and Broadcasting, Government of India. p. 70.
- ↑ Vyas 1995, p. 20.
- ↑ Titze & Bruhn 1998, p. 234.
Sources
- Beer, Robert (1999). The Encyclopedia of Tibetan Symbols and Motifs, (Hardcover). Shambhala Publications. ISBN 1-57062-416-X, ISBN 978-1-57062-416-2
- Beer, Robert (2003). The Handbook of Tibetan Buddhist Symbols, Shambhala Publications. ISBN 1-59030-100-5
- Titze, Kurt; Bruhn, Klaus (1998), Jainism: A Pictorial Guide to the Religion of Non-Violence (2 ed.), Motilal Banarsidass, ISBN 81-208-1534-3
- Vyas, Dr. R. T., ed. (1995), Studies in Jaina Art and Iconography and Allied Subjects, The Director, Oriental Institute, on behalf of the Registrar, M.S. University of Baroda, Vadodara, ISBN 81-7017-316-7